Misconceptions and mistakes upon a subject so obscure as Magical Rituals are, speaking generally, excusable enough, but in this case they are found where they are not excusable, namely, among those persons who have undertaken to give account of the work. In the absence of all evidence on this point, it is impossible to entertain it seriously. The Enchiridion is assuredly not a book of Black Magic, nor does it lend itself to the introduction of other figures than those which appear in it, and these are few and simple. He also evidently had not read it, and is a personage p. The legend of the Enchiridion is as follows. Whosoever bore the little work upon his person with the respect due to Holy Scripture, who also recited it daily to the honour of God, would never be overcome by his enemies, would pass unscathed through all perils, and the Divine protection would abide with him to.
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The Enchiridion is concerned chiefly with worldly, rather than spiritual, advantages. It is said to have been printed in Rome in , and again in Its magical virtue rests on a supposed letter from Charlemagne to Pope Leo, in which the former states that since receiving the Enchiridion he has never ceased to be fortunate.
However, no such letter appears to be in the Vatican library, where it was supposed to be lodged. The charms that the Enchiridion contains are supposed to be effectual against all the dangers to which human flesh is heir—poison, fire, wild beasts, and tempests.
When a copy of the book has been secured, it must be placed in a small bag of leather, carried on the person, and one page at least read daily.
The reading must be done upon the knees with the face turned to the east, and works of piety must be performed in honor of the celestial spirits, whose influence it is desired to attract.
The first chapter of the Gospel according to St. John is declared to be the most potent in the book. As for the symbols, they are mostly of Oriental origin.
The book also includes what are claimed as the mysterious prayers of Pope Leo III and certain conjurations of a semimagical character, including the seven mysterious orisons, which are merely clumsy imitations of the Roman ritual. From an extant edition of , it seems unlikely that this book was the work of Pope Leo III and is more likely a compilation by a maker of grimoires textbooks of black magic.
Sources: Waite, Arthur Edward. London: George Redway, Revised as The Book of Ceremonial Magic. New Hyde Park , N.
The Enchiridion of Pope Leo III