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Life[ edit ] Early years: —38[ edit ] C. When he was ten years old, he entered the St. Thomas School at Leipzig,  where his father had become cantor in In an age of royal patronage, father and son alike knew that a university education helped prevent a professional musician from being treated as a servant.
Carl, like his brothers, pursued advanced studies in jurisprudence at the University of Leipzig in  and at Frankfurt-on-the-Oder in Bach accompanies on the keyboard.
Detail from previous image A few months after graduation, Bach armed with a recommendation by the Graun brothers Johann Gottlieb and Carl Heinrich and Sylvius Leopold Weiss ,  obtained an appointment at Berlin  in the service of Crown Prince Frederick of Prussia, the future Frederick the Great. In Berlin, Bach continued to write numerous pieces for solo keyboard, including a series of character pieces, the so-called "Berlin Portraits", including " La Caroline ".
The first part of the Essay contains a chapter explaining the various embellishments in work of the period, e.
Hamburg: —88[ edit ] In ,  after protracted negotiations,  Bach was permitted to relinquish his position in order to succeed his godfather Telemann as director of music Kapellmeister  at Hamburg. The title was honorary, but her patronage and interest in the oratorio genre may have played a role in nurturing the ambitious choral works that followed. The job required the steady production of music for Protestant church services at the Michaeliskirche Church of St. Michael and elsewhere in Hamburg.
Widespread admiration of Auferstehung led to three performances in Vienna sponsored by the Baron Gottfried van Swieten and conducted by Mozart. Only three of their children lived to adulthood: Johann Adam —89 , Anna Carolina Philippina — , and Johann Sebastian "the Younger" — None became musicians and Johann Sebastian, a promising painter, died in his late twenties during a trip to Italy.
Cours de piano: Solfegietto, CPE Bach
He was a composer, musician, and very famous musicologist during the second half of the 18th century, recognized by Haydn, Mozart, and Beethoven. Played at a tempo of Allegretto or perhaps Presto to Prestissimo , it requires a particular finger technique and lots of practice to be able to interpret it at a constant rhythm. The piece contains a series of arpeggio minors and rapid notes. Solfeggietto requires an understanding of the keyboard and the ability to locate the keys on the keyboard while changing the keys of the left hand. The fingers must stay regular with each change of hand.
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